{"id":3816,"date":"2016-11-09T03:11:27","date_gmt":"2016-11-08T19:11:27","guid":{"rendered":"http:\/\/tremolocos.com\/news\/?page_id=3816"},"modified":"2016-11-09T11:12:46","modified_gmt":"2016-11-09T03:12:46","slug":"dulcinea-lyrics-reviews","status":"publish","type":"page","link":"http:\/\/tremolocos.com\/news\/dulcinea\/dulcinea-lyrics-reviews\/","title":{"rendered":"Dulcinea Lyrics & Reviews"},"content":{"rendered":"
\n

“Dulcinea” Lyrics<\/h3>\n

\r\n
\r\n \r\n
\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Drinking for Two<\/span>\r\n <\/div>\r\n
\r\n

\"Driking<\/p>\n

SUN\u2019S GONE DOWN LIKE A ROCK
\nI\u2019M STUNNED AND STONED AND STILL IN SHOCK
\nTHIS CITY GOT THE BEST OF ME TODAY<\/p>\n

I\u2019M BEAT UP, TIRED AND SORE
\nTURN ON THE RADIO AND LOCK THE DOOR
\nI START TO FEEL A LITTLE BETTER
\nAS THE MEXICAN ACCORDION PLAYS<\/p>\n

AND I PRAY (THAT) SOMEHOW YOU WILL WRITE
\nAND THAT THIS BOTTLE OF TEQUILA WILL HELP ME MAKE IT THROUGH THE NIGHT<\/p>\n

SO I POUR A SHOT FOR ME
\nAND A DOUBLE ONE FOR YOU
\nTONIGHT I\u2019M DRINKING FOR TWO<\/p>\n

IT WASN\u2019T ALL THAT LONG AGO
\nIN LAS CRUCES NEW MEXICO
\nYOU SANG LAS MANANITAS SOFT AND SLOW<\/p>\n

WE MADE OUR WAY OUT TO L.A.
\nBUT I ALWAYS FELT YOU COULDN\u2019T STAY
\nNOW IF I WANT YOU BACK I\u2019LL JUST HAVE TO GO<\/p>\n

SO I PRAY (THAT) SOMEHOW YOU WERE RIGHT
\nAND THAT THIS BOTTLE OF TEQUILA WILL HELP ME MAKE IT THROUGH THE NIGHT<\/p>\n

SO I POUR A SHOT FOR ME
\nAND A DOUBLE ONE FOR YOU
\nTONIGHT I\u2019M DRINKING FOR TWO
\nTONIGHT I\u2019M DRINKING FOR TWO<\/p>\n

\u00a9 2007 T. Zamora (PerroFlaco Music ASCAP)
\nP. Marshall (Paul Marshall Music ASCAP)<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n In A Georgia Rain<\/span>\r\n <\/div>\r\n
\r\n

\"In<\/p>\n

CAN\u2019T QUITE RECALL JUST WHERE I\u2019VE BEEN
\nBACK ON THE STREETS, REMINDED OF EVERY SIN
\nBEEN LIVING IN A DOORWAY I CAN\u2019T PASS THROUGH
\nCLOSE MY BLEARY EYES, CLEARLY I SEE YOU<\/p>\n

THEN IT FEELS LIKE WE\u2019RE BACK IN A GEORGIA RAIN
\nWARM AND SWEET THE SMELL
\nJUST HANGS LIKE A STUBBORN STAIN
\nWE WERE BOTTOMLESS AND SOAKED IN LOUISIANE
\nCOULDN\u2019T WASH AWAY, COULDN\u2019T WASH AWAY WHO I AM<\/p>\n

COULD YOU EVER HOLD ME AGAIN?
\nAND DO YOU EVER THINK ABOUT US NOW AND THEN?
\nI KNOW IT ALWAYS FELT LIKE A RUNAWAY TRAIN
\nBUT COULD YOU EVER HOLD ME AGAIN IN A GEORGIA RAIN?<\/p>\n

I KNOW THAT I\u2019VE BEEN KIND OF OFF
\nBUT I HAD TO GET THROUGH THE WINTER
\nTHOUGHT I\u2019D NEVER SHAKE THAT COUGH
\nSTILL I THINK OF THAT STORM IN LOUISIANE
\nIT COULDN\u2019T WASH AWAY, COULDN\u2019T WASH AWAY WHO I AM<\/p>\n

COULD YOU EVER HOLD ME AGAIN?
\nAND DO YOU EVER THINK ABOUT US NOW AND THEN?
\nI KNOW IT ALWAYS FELT LIKE A RUNAWAY TRAIN
\nBUT COULD YOU EVER HOLD ME AGAIN IN A GEORGIA RAIN?<\/p>\n

\u00a92007 T. ZAMORA PerroFlaco Music ASCAP<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Mi Novela<\/span>\r\n <\/div>\r\n
\r\n

\"novela1.jpg\"<\/p>\n

YO SOY UN HOMBRE QUAJIRO
\nCON UNA VIDA SENSILLA
\nTRABAJO COMO LOS GUEYES
\nPA GANAR PAN DE CADA DIA<\/p>\n

Y COMO CUALQUIER HOMBRE
\nQUE PIERDE SU REALIDAD
\nEN ESTE MUNDO MODERNO
\nAY QUE BUSCAR SU FELICIDAD<\/p>\n

AY PAPI NO LLORES
\nNO LLORES POR LA NOVELA
\nAY PAPI NO LLORES
\nNO LLORES POR LA NOVELA<\/p>\n

NO PIDO NADA DE A LA VIDA
\nNI SOY MAL CONOCIDO
\nERO AY QUE ENTRETENERSE
\nY MI NOVELA NECESITO<\/p>\n

Y CUANDO VIENE LA NOCHE
\nY PRENDO LA TELEVISION
\nYO LLORRO CON MI NOVELA
\nAY MAMITA QUE OBSESSION<\/p>\n

CHORUS<\/p>\n

Y CUANDO PREGUNTA MI VIEJA
\nJUANITO A DONDE VAS?
\nME LARGO Y NO RESPONDO
\nY NO PIERDO NI UN COMPAS<\/p>\n

ME BUSCA POR LA MANANA
\nANTES QUE SAL EL SOL
\nME PICO CON MI NOVELA
\nAY MAMITA QUE DOLOR<\/p>\n

\u00a9 2007
\n(T. ZAMORA, C. DELUNA, E. BAYTOS, J. HERNANDEZ)<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Just A Little While<\/span>\r\n <\/div>\r\n
\r\n

\"katrina.jpg\"<\/p>\n

I\u2019m just a little while, away from my home
\nOnly a few short miles and I won\u2019t be alone
\nAnd I\u2019m just a little tired but I want to see all my friends
\nLike a man with an old blue song
\nTrying to get through the end<\/p>\n

Darkness came over me, sorrow did remain
\nBut I\u2019ve been working my way back
\nThrough the wind and the rain
\nThough I\u2019m just a little drop in this sea of despair
\nSadness will soon dry up when he answers my prayer<\/p>\n

I\u2019m just a little shy to see you again
\nLike a tattoo of an old lover, kind of hard to defend
\nAnd I\u2019m just a little calm right before the storm
\n\u2019ve been standing out in the rain
\nFeeling mostly alone<\/p>\n

Darkness came over me, sorrow did remain
\nBut I\u2019ve been working my way back
\nThrough the wind and the rain
\nI fall to my bended knees and Lord I hear what you say
\nNow I know my way home; because you showed me the way<\/p>\n

Though I\u2019m just a little drop in this sea of despair
\nSadness will soon dry up when he answers my prayer
\nSorrow will find an end when he answers my prayer
\nYou know I\u2019ll be coming home when he answers my prayer<\/p>\n

Copyright 2007 Tony Zamora
\nPerroFlaco Music ASCAP<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Mexicali<\/span>\r\n <\/div>\r\n
\r\n

\"web.jpg\"
\nIf you ever want or need to see me again
\nyou\u2019ll have to go down to Mexicali
\nI\u2019ll be drinking hard, playing my guitar
\nand sitting in with my old band
\nI\u2019m no low down gambler but I\u2019d bet my Rambler
\nYou would take it all from me again
\nThe things I used to do never bothered you
\nbut that was way back when<\/p>\n

We used to smoke and drink and dance
\nand laugh at love, and monkey all night long
\nI do believe that we had it all but somehow it all went wrong<\/p>\n

We had to change our ways and move to Cudahy
\nabout a mile from the 710. I turned a page for you
\nand sold my Harley too I felt six feet from the end<\/p>\n

but honey I ain\u2019t dead yet my eyes are open wide
\nyou know I\u2019d never want to quit you baby
\nbut I can\u2019t lay down and die<\/p>\n

Honey you ain\u2019t said yet a single thing to make me stay
\nDo what you have to do all I can say to you
\nis I\u2019m leaving here yesterday<\/p>\n

I\u2019ve been three months now in this border town
\nain\u2019t seen hide nor hair of Javier
\nand the Yuma crew did the same thing too
\nand disappeared into thin air<\/p>\n

You won\u2019t believe my dear what waited for me here
\nNot just a chance to see who\u2019s left around
\nBut what was here to see is what\u2019s become of me
\nI\u2019m at the phone booth on the edge of town<\/p>\n

But honey I ain\u2019t dead yet, no my eyes are open wide
\nYou know I\u2019d never want to hurt you baby
\nbut I had to come here and try<\/p>\n

And honey you ain\u2019t said yet, a single thing in my defense
\nSo why\u2019d I go and do the things to act a fool
\nCause it\u2019s the only thing that made no sense<\/p>\n

I\u2019m down to fighting weight wondering about my fate
\nLord I think of only you all day
\nIf it were only enough I\u2019d be right on that bus
\nheaded straight for Cudahy<\/p>\n

and now your telling me there\u2019s something else to be
\njust as natural as the break of day
\nIf what you say is true I\u2019m coming home to you
\nAnd I\u2019m never going to leave L.A.<\/p>\n

Honey I ain\u2019t dead yet, no my eyes are open wide
\nYou always knew that I\u2019d do right by you
\nAnd finally I would come alive<\/p>\n

And honey you ain\u2019t lost that bet
\nYou kept it all just a big surprise
\nWe got just what we need, another mouth to feed!
\nGot a reason to live and die<\/p>\n

\u00a9 2007 T. Zamora PerroFlaco Music ASCAP
\n\"mexicali-rose1.jpg\"<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Goodbye Miss Lynn<\/span>\r\n <\/div>\r\n
\r\n

\"Goodbye
\nGoodbye Miss Lynn, I hope that it\u2019s been
\nAs much fun as we both recall
\nYou can lean my way on any other day
\nSo long as we don\u2019t have to fall<\/p>\n

Mid November is a fading light
\nFallen leaves lay trampled on the ground
\nI wouldn\u2019t hedge my bet with a country wife
\nBare footsteps fall softly without a sound<\/p>\n

Goodbye Miss Lynn, I hope that it\u2019s been
\nAs much fun as we both recall
\nYou can lean my way on any other day
\nSo long as we don\u2019t have to fall<\/p>\n

Time and again I say the same old thing
\nYou just smile with the pearl moon in your eyes
\nWith the night air being as bitter cold as it\u2019s been
\nI\u2019ll wait tomorrow and kiss you at sunrise<\/p>\n

Goodbye Miss Lynn, I hope that it\u2019s been
\nAs much fun as we both recall
\nYou can lean my way on any other day
\nSo long as we don\u2019t have to fall<\/p>\n

It\u2019s only right that it\u2019d be raining hard
\nthe Winter snow you said is surely on it\u2019s way
\nIn the spring we were young but had to part
\nI know we\u2019ll do it all again some day<\/p>\n

Goodbye Miss Lynn, I hope that it\u2019s been
\nAs much fun as we both recall
\nYou can lean my way on any other day
\nSo long as we don\u2019t have to fall<\/p>\n

\u00a9 2007 (T. ZAMORA) PerroFlaco Music ASCAP<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Cajun Waltz<\/span>\r\n <\/div>\r\n
\r\n

\"Cajun<\/p>\n

I WAS STANDING ON A CORNER ONE MORNING
\nIN THE CITY OF NEW ORLEANS
\nWHEN SHE CAME ON LIKE A STORM WITHOUT WARNING
\nI FELT A WARM RAIN FALL OVER ME<\/p>\n

\u201cCOME OVER HERE\u201d, I SAID SOFTLY
\n\u201cI THINK WE CAN STAY A BIT MORE DRY\u201d
\nWITH A SLOW TWIRL SHE LOOKED STRAIGHT UP
\nAND LET THE RAIN FALL IN HER EYES<\/p>\n

CAME THE OLD STREETCAR WE WAS WAITIN\u2019 FOR
\nSOAKIN\u2019 WET WE CLIMBED ABOARD
\nSHE SAT DOWN AND PULLED A WINDOW UP
\nI WATCHED THE OTHERS SHUFFLE
\nTHROUGH THE DOOR<\/p>\n

THEN SHE TURNED AND ASKED THE FOLKS BEHIND HER,
\n\u201cIS THIS TOO MUCH FOR Y\u2019ALL?\u201d
\nTHEY JUST SMILED AND SAID, \u201cNO NOT AT ALL,
\nIN FACT WE LOVE THE RAINFALL\u201d<\/p>\n

THIS MY DARLING IS REALLY ME
\nAND IT NEVER FEELS FALSE
\nTHE RAIN MY DARLING FEELS RIGHT TO ME
\nLIKE AN OLD CAJUN WALTZ<\/p>\n

AS THE GARDEN DISTRICT WENT FLOATING BY
\nAND THE WARM RAIN KEPT SNEAKING IN
\nI FELT LIKE I WAS FINALLY ALIVE THOUGH I THOUGHT
\nI\u2019D HAVE TO LEARN TO BREATH AGAIN<\/p>\n

SO DROP-BY-DROP LIKE THE RAIN I FELL
\nEVEN NOW I RECALL THE TIME
\nEVERY SIGHT, EVERY SMELL
\nAS THAT SWEET RAIN FELL
\nAND WE ROAD TO THE END OF THE LINE<\/p>\n

SO IT\u2019S FARE THEE WELL MY DARLING ONE
\nI DON\u2019T KNOW IF WE\u2019LL EVER MEET AGAIN
\nAND DO YOU LOVE ME TRUE
\nAND CAN I BE WITH YOU
\nOR HAVE I SQUANDERED
\nEVERY CHANCE I EVER HAD?<\/p>\n

WE MIGHT OF FOUND A MOMENTS PEACE
\nLIKE ONE PRECIOUS DROP OF RAIN
\nBUT MY TONGUE BECAME TIED
\nBY THE TIME I TRIED
\nSO I SMILED AND SAID, \u201cGOODBYE\u201d IN VAIN<\/p>\n

THIS MY DARLING IS REALLY ME
\nAND IT NEVER FEELS FALSE
\nTHE RAIN MY DARLING FEELS RIGHT TO ME
\nLIKE AN OLD CAJUN WALTZ<\/p>\n

\u00a9 2002 (T. ZAMORA) PERRO FLACO MUSIC ASCAP<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n La Casa Del Mexicano<\/span>\r\n <\/div>\r\n
\r\n

\"casa.jpg\"
\nON A HILL IN EAST L.A.
\nTHERE\u2019S A LANDMARK HIGHLY FAVORED
\nAND THE MEMORIES THAT ARE SPOKEN
\nTO OUR CHILDREN AND OUR NEIGHBORS
\nBRING TO LIFE THE RHYTHMS OF THE BANDSTAND
\nAND THE FEET THAT FILLED THE FLOOR
\nABOVE THE WHISPERS OF THE WALLFLOWERS
\nA MARIACHI TRUMPET SOARS<\/p>\n

EN LA CASA DEL MEXICANO
\nEVERYDAY\u2019S THE FIRST DAY OF SPRING
\nHIGH ON A HILL THERE UNDER THE MOONLIGHT
\nOUR YOUNG HEARTS LEARNED TO SING<\/p>\n

EVERY NIGHT FROM DUSK TILL DAWN
\nROMANCE AND MUSIC TOUCHED OUR HEARTS
\nI CAN STILL SMELL HER PERFUME
\nAS WE DANCED THERE IN THE DARK
\n\u201cCERCA DEL MAR\u201d FLOATING IN THE DISTANCE
\nLOSING MYSELF INSIDE HER EYES
\nABOVE THE WHISPERS OF THE WALLFLOWERS
\nI ASKED HER TO BE MY BRIDE<\/p>\n

EN LA CASA DEL MEXICANO
\nEVERY NIGHT\u2019S A NEW SURPRISE
\nAND EVERY TURN ON THE DANCE FLOOR
\nANOTHER STEP CLOSER, CLOSER TO PARADISE<\/p>\n

EL RECUERDO DE ESE TIEMPO
\nILUMINA A MI CORAZON
\nCOMO ESTRANO AQUIEL AMBIENTE
\nY LA ALEGRIA DE SU CANCION
\nPERDIENDOME EN TUS OJOS
\nARDIENTE Y SUTIL COLORES
\nSOBRE LOS SECRETOS DE LA PARED
\nEN LA FERIA DE LAS FLORES<\/p>\n

EN LA CASA DEL MEXICANO
\nCONOSI A MI GRAN AMOR
\nEN EL JARDIN DE MI SUENOS
\nABRAZANDO A SU PRIMOR<\/p>\n

\u201cUN BESITO CORAZON\u201d<\/p>\n

\u00a9 2007
\nWm. Garcia Wagamita Music BMI
\nT. Zamora PerroFlaco Music ASCAP<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Hocicona<\/span>\r\n <\/div>\r\n
\r\n

\"grave-marker-2\"I got a woman that loves to squawk
\nFirst thing morning she loves to talk
\nShe sure got a sexy walk
\nEyes be on her like a hawk
\nHer big ol\u2019 pretty fine smile
\nMakes me walk a country mile<\/p>\n

But I wouldn\u2019t change a thing, no I wouldn\u2019t change a thing
\nBut I wouldn\u2019t change a thing, no I wouldn\u2019t change a thing<\/p>\n

Boss say tell her don\u2019t call no more
\nYou ain\u2019t getting your job done
\nActin\u2019 like a kid in a candy store
\nTime stands still for no one<\/p>\n

But I wouldn\u2019t change a thing, no I wouldn\u2019t change a thing
\nBut I wouldn\u2019t change a thing, no I wouldn\u2019t change a thing<\/p>\n

But I wouldn\u2019t change a thing, no la quiero cambiar
\nBut I wouldn\u2019t change a thing, no la quiero cambiar<\/p>\n

In the door she\u2019s on the phone
\nJaw-jackin\u2019 tellin\u2019 every little detail
\nWait till I get her all alone
\nI\u2019d rather be the hammer on a nail<\/p>\n

Hocicona never misses a trick
\nHold ten conversations at the same time
\nAll she need is one chopstick
\nTalkin\u2019 and chewin\u2019 on the same thin dime
\nI wish I could turn that chatter off\u2026\u2026\u2026\u2026\u2026\u2026!!!!!!<\/p>\n

Ay que escuchar lo que dice la senora
\npero como me gustar a pagar la Hocicona<\/p>\n

\u00a92007
\nH. Brown, T. Zamora, C.Estrada, D. Hidalgo, L.Oskar<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Abuela's Lament<\/span>\r\n <\/div>\r\n
\r\n

\"borracho.gif\"<\/p>\n

I WENT TO SEE YOUR OLD ABUELITA
\nSHE TOLD ME JUST WHAT YOU HAVE DONE
\nSHE SAID, \u201cLE HACE FALTA SU FAMILIA\u201d
\nYOU CAN\u2019T LIVE THIS LIFE BORRACHON<\/p>\n

HOW MANY DAYS DO YOU THINK YOU HAVE LEFT
\nBEFORE THIS STOPS BEING FUN?
\nIF YOU MUST DANCE THE DEVIL\u2019S 2-STEP
\nTHEN AT LEAST STOP PLAYING WITH THAT GUN.<\/p>\n

YOUR NEIGHBORHOOD HAS ALL BEEN TALKING
\nVIEJITAS SQUAWK LIKE CHICKENS ON THE RUN
\nIF YOU COULD SEE YOUR WEAVE WHEN YOU\u2019RE WALKING
\nTHEN YOU\u2019D KNOW HOW YOUR LIFE HAS COME UNDONE<\/p>\n

HOW MANY DAYS DO YOU THINK YOU HAVE LEFT
\nBEFORE THIS STOPS BEING FUN?
\nIF YOU MUST DANCE THE DEVIL\u2019S 2-STEP
\nTHEN AT LEAST STOP PLAYING WITH THAT GUN<\/p>\n

NO ME DISPARES, POR FAVOR
\nES POR TU BIEN TE LO DIGO CON PAVOR
\nNO NACISTES TAN BURRO
\nDECIRLE LO FUE DURO
\nIMAGINO ESCUCHAR LO ES PEOR<\/p>\n

FUI A VER A TU ABUELITA
\nDEL CAMINO QUE TOMASTES LAMENTO
\nDIJO \u201cLE HACE FALTA SU FAMILIA\u201d
\nLA TARJETA EL BORRACHO TE SALIO<\/p>\n

HOW MANY DAYS DO YOU THINK YOU HAVE LEFT
\nBEFORE THIS STOPS BEING FUN?
\nIF YOU MUST DANCE THE DEVIL\u2019S 2-STEP
\nTHEN AT LEAST STOP PLAYING WITH THAT GUN<\/p>\n

\u00a9 2007
\nT.Zamora, (PerroFlaco Music, ASCAP)
\nB. Watts (Sweet Willy Music, ASCAP)
\nJ. Cruce (PerroFlaco Music, ASCAP)<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Start Cryin'<\/span>\r\n <\/div>\r\n
\r\n

NOW I WON\u2019T DENY THAT SOMETIMES I JUST CAN\u2019T SEE
\nBUT I WOULD NEVER BLAME ANOTHER
\nAND THAT PRETTY DRESS YOU WORE JUST FOR ME
\nLIES IN THE ARMS OF SOME OTHER<\/p>\n

NOW I\u2019M SLIDING AROUND IN MY OLD SUIT
\nTRYING TO IMPRESS
\nTRYING TO SHOW WHAT\u2019S LEFT OF ME
\nAND I DON\u2019T NEED TO KNOW BUT I STILL TRY TO FIND
\nTHE MISSING PART TO THIS BROKEN DREAM<\/p>\n

WHAT A GOOD DAY TO START CRYING
\nAND LET MY TEARS JUST HIT THE GROUND
\nBUT IF I DO I WILL START DROWNING
\nBUT WHAT A GOOD DAY TO GO DOWN<\/p>\n

IT\u2019S LIKE I\u2019M FLOATING ON AN ENDLESS SEA
\nGOD ONLY KNOWS WHAT I\u2019LL DISCOVER
\nI KNOW A HEART THAT\u2019S BROKEN
\nBUT REFUSES TO BLEED
\nWILL JUST GROW HARD AND NOT RECOVER<\/p>\n

IT MIGHT HAVE BEEN STOLEN
\nOR IT MIGHT\u2019VE BEEN LOST
\nOR IT MIGHT HAVE BEEN SOMETHING
\nTHAT JUST SHOULDN\u2019T BE
\nANYWAY I HEAR THEM NOW
\nHEARTS ARE BREAKING ALL AROUND
\nHOLD ON TIGHT TO YOUR MISERY<\/p>\n

WHAT A GOOD DAY TO START CRYING
\nAND LET MY TEARS JUST HIT THE GROUND
\nBUT IF I DO I WILL START DROWNING
\nBUT WHAT A GOOD DAY TO GO DOWN<\/p>\n

I CLOSE MY EYES AND IN THE DARK I SEE
\nA BREATH WE SHARED WITH EACH OTHER
\nAND BABY I ADORE HOW IT MADE ME FEEL
\nLIKE I COULD NEVER TOUCH ANOTHER<\/p>\n

I MIGHT\u2019VE BEEN STUBBORN
\nAND I MIGHT\u2019VE GROWN CROSS
\nAND YOU NEVER KNEW WHAT WAS WHAT WITH ME
\nI HELD ON TOO TIGHT AND WHEN I TURNED TO LET GO
\nTHERE WAS NOTHING LEFT BUT THIS MEMORY<\/p>\n

WHAT A GOOD DAY TO START CRYING
\nAND LET MY TEARS JUST HIT THE GROUND
\nBUT IF I DO I WILL START DROWNING
\nBUT WHAT A GOOD DAY TO GO DOWN<\/p>\n

WHAT A GOOD DAY TO START FLYING
\nGET MY FEET UP OFF THE GROUND
\nBUT TO FEEL THAT GOOD WOULD BE LIKE LYING
\nSO WHAT A GOOD DAY TO STAY DOWN
\nWHAT A GOOD DAY TO STAY DOWN
\nWHAT A GOOD DAY TO STAY DOWN<\/p>\n

\u00a9 2001 T. ZAMORA
\nPERROFLACO MUSIC ASCAP<\/p>\n <\/div>\r\n <\/div>\r\n\r\n\r\n \r\n <\/div><\/p>\n

<\/p><\/div><\/div>\n

\n

Reviews<\/h3>\n

2008’s “Dulcinea” from Tony Zamora &amp; Tremoloco received many rave reviews (see below) including best roots rock album and #8 in the Top 10 albums of the year.<\/p>\n

\"Article<\/a>
ARTICLE IN JAM MAGAZINE ITALY (MAY 2010) W\/TREMOLOCO, RY COODER, & THE CHIEFTAINS, LOS CENZONTLES AND SONES DE MEXICO ENSEMBLE CHICAGO<\/figcaption><\/figure><\/p>\n

\r\n
\r\n \r\n
\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n ARTICLE IN JAM MAGAZINE ITALY (MAY 2010) W\/TREMOLOCO, RY COODER, & THE CHIEFTAINS, LOS CENZONTLES AND SONES DE MEXICO ENSEMBLE CHICAGO<\/span>\r\n <\/div>\r\n
\r\n

\"Article<\/a>
Jam Magazine article May 2010<\/figcaption><\/figure><\/p>\n <\/div>\r\n \r\n
\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Hit List Vintage Guitar Magazine October 2008 Issue<\/span>\r\n <\/div>\r\n
\r\n

Tremoloco
\nDulcinea
\nCasa Julia Records<\/p>\n

The eclectic cross-pollination whipped up by Tony Zamora\u2019s expanding and contracting all-star group Tremoloco has been called Mexican-Americana. Which is an apt a tag as any for the Angelinos\u2019 mix of conjunto, country, Cajun, blues, Latin, jazz, and roadhouse rock and roll.<\/p>\n

Dulcinea was recorded primarily in Los Angeles and Austin, taking advantage of stellar roots musicians from both locales \u2013 like drummer\/pianist\/co-producer Cougar Estrada and his Los Lobos bandmate David Hidalgo, steel guitarist Greg Leisz and guitarists Bob Robles and Johnny Lee Schell (who also engineered) from the former and twang guru Redd Volkaert, lap steeler Cindy Cashdollar, accordionist Joel Guzman, Faces pianist Ian Mclagan and Stephen Bruton from the latter.<\/p>\n

Other guest include Cougar\u2019s dad, vibes great Ruben Estrada, Hidalgo\u2019s son Vincent (on jarana), War harpist Lee Oskar, Thee Midnighters vocalist Willie G. fiddler Brantley Kearns and Max Baca on drums and bajo sexto.<\/p>\n

For his part, Zamora recalls the great Doug Sahm \u2013 handling most lead vocals, playing guitar, bass, guitarron and percussion and writing all 14 tunes. In just the first three songs, Robles trades wiggly electric bends with Kearn\u2019s fiddle on the cumbia \u201cMi Novela\u201d; Cashdollar\u2019s dobro adds just the right amount of moan to the country weeper \u201cDrinking for Two\u201d; and Volkaert, Leisz, and Guzman weave in and out of the polka \u201cAbuela\u2019s Lament\u201d.<\/p>\n

If you appreciate Los Lobos\u2019 open-minded approach to roots music, you should dig this. Then again, if your cup of tea is George Jones (or, for that matter, Tito Puente), there\u2019s probably something for you here, too.<\/p>\n

DF<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Review May Issue 2008 Buscadero Magazine (Italy) Junior Bonner\u2019s Choice\u2019s Paolo Caru<\/span>\r\n <\/div>\r\n
\r\n

TREMOLOCO
\nDulcinea
\n***
\nTremoloco, a new band from the Los Angeles area, deliver the traditional sounds of Tex-Mex music with their debut album, Dulcinea.
\nThe record is a fascinating journey, which takes the listener from LA to Las Cruces, with a stop in New Orleans before heading back to New M\u00e9xico for a run to Mexicali. The album is musically-rich, and full of geographic references, in which urban rock, Latin-influenced music and Tex-Mex fusion go hand in hand.<\/p>\n

The band bears no resemblance to any other, not even to Los Lobos or the Sones De M\u00e9xico\u2014 they are a multi-ethnic band led by Tony Zamora. With him are Bob Robles, Cougar Estrada (of Los Lobos),
\nBilly Watts, Mike Tovar and David Raven. Also impressive is the
\nlist of guests appearing on the album: David Hidalgo, Greg Leisz, Johnny Lee Schell, Red Volkaert, Cindy Cashdollar, Joel Guzman,
\nMax Baca, Cody Bryant, Ian MacLagan, Stephen Bruton, Willi G, and many others.<\/p>\n

The record was conceived between Los Angeles and Texas, where the air one breathes is Mexican, which you will find among the disc\u2019s border ballads and rock passages. The banner song is certainly La Casa Del Mexicano, of pure Tex-Mex flavor, partly sung in English and partly sung in Spanish, with a warm melody and the accordion of Joel Guzman making it all the more beautiful. This is a defining song in which it is made clear that this band is here to stay- perhaps even on the same level as Los Lobos, but with a sound that is even more traditional. They don\u2019t share the same rock element or range of sounds as \u201cThe Wolves from East LA\u201d- instead, these beautiful songs bring back a genre of music that has perhaps been slightly forgotten in recent years.<\/p>\n

The fusion of Mexican and American music is always rare and difficult to find, but in Tremoloco, exists the beautiful reality, and if they are fortunate enough, then we may be able to count on them to deliver it.<\/p>\n

Dulcinea begins with Mi Novela, a diverse and original song. The accordion immediately stands out in this recording that mixes M\u00e9xico and Carlos Vives, with South American fusion and Cuban influences. In Drinking for Two, the ever-present accordion veers slightly into rock. Abuela\u2019s Lament is a Mexican dance, a passage straight from a \u2018fiesta campesina\u2019, rhythmic and full of \u2018gritos\u2019 (cries).
\nThe guitar is swirling in motion as the steel guitar and accordion slide down the back of Zamora\u2019s voice. A cross between Tex-Mex and country, this song is pure pleasure!
\nThe most American sounding song is In A Georgia Rain, which opens up with the violin. It has all the makings of a classic Americana-style song, and is sung with passion and played cleanly and directly.<\/p>\n

The record greatly surpasses 50 minutes, exceeding the standard. Other noteworthy songs are the campesino-style dance song Doble del Cuchillo, which is both enthralling and creative, the slower Just a Little While, and the steaming Mexicali, in which country and rock and roll come into their own sublimation. Goodbye Miss Lynn is a nostalgic composition which is very country-oriented, and reminiscent of country rock from the 1960\u2019s, while Koombia Loco is a Latin-style dance song. Cajun Waltz takes you beyond borders to a Mexican-style \u2018hacienda\u2019 where Texans and Latinos come together to play music.
\nThe record finishes up with the western-themed Cowboy Lullaby, while Hocicona blends the styles of Tom Waits and Los Lobos. Dulce\u2019s Dream and Tremoloco, two instrumental pieces, close the record with dignity. A beautiful discovery, that is completely original.<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Tremoloco By William Michael Smith Published: June 12, 2008 Houston Press<\/span>\r\n <\/div>\r\n
\r\n

Even though they are from East Los Angeles and have close ties to Los Lobos, there are few repertoires that scream \u201cGulf Coast\u201d like Tremoloco\u2019s. No matter whether the language is Spanish or English; the style honky-tonk, Tex-Mex or rock and roll; the dance a two-step, zydeco stomp or slow drag, Tremoloco plays it with a mastery that makes most of our local honky-tonk heroes sound like weekend warriors at best. The accordions whir, the guitars smoke and the blues is the blues no matter the language. To properly listen to \u2018Loco\u2019s magnificent debut, Dulcinea, one needs the clinking of ice in glasses, the low barroom hubbub of voices and laughter and the occasional Freddy Fender \u201cay-yay-yay.\u201d The material ranges from the hilarious \u201cMi Novela\u201d (my soap opera), in which a macho husband can\u2019t get enough of the daily Latin television dramas, to \u201cTremoloco,\u201d a super-cool instrumental track that should be on a tape loop in every bedroom in America where clothes are on the floor and the sheets are tangled. With Los Lobos drummer Cougar Estrada, Dave Alvin alum Rick Shea on guitars and Tony Zamora\u2019s earthy lyrics and vocals, this band should rapidly become favorites here in H-Town, where belt buckle polishing is part of the genetic code. Throw Tremoloco on the jukebox anywhere between Los Skarnales and Clifton Chenier, between Freddy Fender and Los Lobos, between Ruben Ramos and Bill Black\u2019s Combo, and you\u2019re on Tremoloco\u2019s musical terra firma, a robust Tex-Mexican Americana.<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n NO COUNTRY FOR OLD BORDERS Tremoloco\u2019s mix: Tex-Mex, C&W and East L.A. By Tim Schuller Buddy Magazine Dallas, Texas June 2008<\/span>\r\n <\/div>\r\n
\r\n

You\u2019re on a runaway tour bus through music\u2019s bazaar. At the wheel is Tony Zamor, leader of Tremoloco, whose CD \u201cDulcinea\u201d (Casa Julia) is a rich, dizzingly cross-cultural experience.<\/p>\n

Zamora formed Tremoloco to do songs by groups like the Texas Tornados, Los Super Seven, Los Lobos etc.. Those bands gave a Mexican flavor to C&W and rock. Or did they give a C&W\/rock flavor to Mexican music?<\/p>\n

Whatever the case, Zamora broadened the spectrum.<\/p>\n

He\u2019s been a guitar tech (and sometimes stand-in member) for Los Lobos. More back up story is upcoming. But now, re-board the bus. seat belts are not permitted. We speed through Tex-Mex Polka with \u201cAbuela\u2019s Lament\u201d, replete with chickens, pistols and the devil. We careen through \u201cCajun Waltz\u201d with rollicking solos from lap steel and accordion. But amid the revelry, like a ghost\u2019s hand across your face, comes a waft of Appalachia from Ann Cusack\u2019s backup vocals.<\/p>\n

Nothing ghostly about \u201cHocicona\u201d. Scary, maybe! The bus barrels down a mean street in L.A. with a confrontational soundtrack: R&B, reggae and cawing harmonica.<\/p>\n

\u201cLa Casa Del Mexicano\u201d is simply beautiful. It\u2019s about a Chicano ballroom. This work of aural art affirms that no matter what disparities certain forces try to cram between us, we are one on the dance floors of our collective past.<\/p>\n

Good humored \u201cMi Novela\u201d poses the dilemma of a man whose secret is \u2013 he\u2019s hooked on Mexican soap operas! Barbing the melody is an upstroke guitar spank of the sort found in ska and Cleveland polkas. (Except on a Cleveland polka, a banjo would make the spank. Interesting, how different idioms , from different ethnic factions have uniting rhythmic facets).<\/p>\n

Time for a breath. Jump off the bus for that back story! (more coming soon)<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n East L.A. meets S.A.<\/span>\r\n <\/div>\r\n
\r\n

Speaking of Casbeers, the live-music joint\/restaurant is the home away from home for bands from East L.A. When The Blazers, Big Manny, Dale Peterson and their associates come to town, they end up at Casbeers sooner or later.<\/p>\n

Saturday, another music-maker from East Los Angeles, Tony Zamora, will make his Casbeers debut with his band Tremoloco. Singer, songwriter and multi-instrumentalist Zamora is touring with a new CD, \u201cDulcinea,\u201d a fusion of alt-country, folk, rock and traditional Mexican influences. Zamora\u2019s music is being described as \u201cMexican Americana.\u201d<\/p>\n

\u201cDulcinea,\u201d produced by Zamora and Los Lobos percussionist Cougar Estrada, features hip tunes, including \u201cMi Novela,\u201d \u201cAbuela\u2019s Lament,\u201d \u201cIn a Georgia Rain,\u201d \u201cKoombia Loco,\u201d \u201cCajun Waltz\u201d and \u201cCowboy Lullaby.\u201d Zamora is not afraid to cross borders.<\/p>\n

The \u201cDulcinea\u201d disc is packed with guests, including Lobo David Hidalgo, stringed-instrument wizards Stephen Bruton, Cindy Cashdollar, Redd Volkaert, Max Baca and Johnny Lee Schell, keyboard legend Ian McLagan, accordion ace Joel Guzman and many others.<\/p>\n

The live Tremoloco crew also is a high-powered bunch: Zamora, Estrada and guitarists Rick Shea, Bob Robles, Mike Tovar and Juan Chacon. For the Casbeers show, Tremoloco also will include storied singer Ruben Ramos and bajo sexto champ Max Baca. There\u2019ll be some Tex in the Mexican Americana.<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Salvatore Esposito Il Popolo del Blues NEWSLETTER April 2008<\/span>\r\n <\/div>\r\n
\r\n

Tremoloco \u2013 Dulcinea
\n(Casa Julia Records)
\nwww.tremolocos.com
\nwww.cdbaby.com<\/p>\n

Tremoloco are an interesting spanish roots rock band from Los Angeles. In their debut album, Dulcinea, we can find a long list of special guests like Greg Leisz, Joel Guzman, Los Lobos, Cidy Cashdollar and Ian McLaglan and a lot of great tracks.<\/p>\n

Esordio con il botto quello dei Tremoloco, Spanish roots rock band di Los Angeles, che con Dulcinea ha messo a segno il primo grande colpo della loro carriera. Innanzitutto al loro fianco troviamo una lunghissima lista di ospiti ma la qualit\u00e0 dei brani \u00e8 assolutamente eccelsa, e questo disco ha tutta l\u2019aria di essere il party record dell\u2019anno. I Tremoloco, va precisato, non sono affatto degli illustri sconosciuti ma un gruppo di musicisti e tecnici ben noti nell\u2019ambiente, come Cougar Estrada (batteria e piano gi\u00e0 con i Los Lobos), ma anche di Tony Zamora (voce, chitarra e basso), Sammy Sanchez e Billy Watts. Al loro fianco non \u00e8 dunque soprendente vedere David Hidalgo alle chitarre, Greg Leisz alla steel, Joel Guzman all\u2019accordion, Ian McLaglan al piano, Cindy Cashdollar al dobro e alla lap steel e soprattutto Johnny Lee Scheel che ha curato i suoni in qualit\u00e0 di ingegnere. Cos\u00ec Dulcinea \u00e8 esattamente quello che si pu\u00f2 immaginare possa nascera dall\u2019unione di musicisti di tale calibro, tra cubie, tex mex, brani rock e ballate roots rock, niente sembra lasciato al caso. A di mostrazione di ci\u00f2 basta ascoltare il brano di apertura Mi Novela, una cumbia che non avrebbe certo sfigurato in un disco dei Los Lobos, ma anche il tex mex di Abuela\u2019s Lament e Cajun Waltz e soprattutto il border sound di Drinkin\u2019 For Two. Nel mezzo stano brani di ottimo impatto come la ballata Casa Del Medicano o l\u2019incredibile salsa blues di Hocicona ma anche qualche lieve sbavatura come i roots rock Medicali e la ballata Goodbye Miss Lynn. Il meglio del disco arriva con In A Georgia Rain una ballata sontuosa colorata dal violino e che conferma a pieno che le due anime latin e roots di questa band, negli anni a venire regaleranno numerose sorprese. Insomma un disco senza cadute che piacer\u00e0 agli amanti del genere ma che consigliamo vivamente a tutti. Splendido.<\/p>\n

Salvatore Esposito
\nIl Popolo del Blues<\/p>\n

NEWSLETTER April 2008<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Taxi\/Critique<\/span>\r\n <\/div>\r\n
\r\n

Mexican Americana\/Latin Alternative Folk<\/p>\n

Your eclectic genres punch through brilliantly (tex-mex, americana, folk, cumbias, cajun). Mixing multiple genres for style recognition is not always easy, you do it very well. Slide on \u201cDrinking For Two\u201d awesome! Cohesive and captivating lyrics, so true to life, universal, and easy to connect with. The caliber of musicianship doesn\u2019t get better! Your songs have beautiful structure and great dynamics that create tons of emotion and connectedness to the listener. Awesome instrumentation. They have tons of placement potential in film and TV. Very polished with superb production and engineering!<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Ctrl.Alt.Country e-zine By Benny Metten<\/span>\r\n <\/div>\r\n
\r\n

TREMOLOCO
\n\u201cDulcinea\u201d
\n(Casa Julia Records)
\n(4,5) J J J J J<\/p>\n

To us this is without a doubt the new roots sensation of the fall, these seven from LA are lead by the very talented singer-songwriter Tony Zamora.
\n\u201cDulcinea\u201d their debut album is produced by Cougar Estrada. It\u2019s set up reminds you of earlier albums by Los Lobos. While \u2018The Wolves\u2019 in their early hay-days made a successful mix between roots rock and traditional Mexican sounds, Zamora and his mates on this debut album are in search of a comparable fusion between Americana, alt. country folk and the inheritance of their forefathers.
\nThe result of this album can be compared with \u201cAnd A Time To Dance\u201d, \u201cHow Will The Wolf Survive\u201d, By The Light
\nOf The Moon\u201d, \u201c LA Pistola Y El Corazon\u201d or early Blazers music. And this is in no way a detraction or a minor accomplishment!<\/p>\n

\u201cDulcinea\u201d is first of all an enormously rich and varied album. Polka\u2019s, cumbia\u2019s, two-steps, instrumentals with lots of feeling, folk or alt. country type ballads, it\u2019s all possible! And how!! Haven\u2019t often heard a record, so full of joy, you can feel the artists enjoyment! Zamora and his band are constantly surrounded by excellent company. If you can get people the caliber of David Hidalgo, Greg Leisz, Johnny Lee Shell, Cody Bryant, Ian McLagan, Stephen Bruton, or Brantley Kearns to lend their names as references, it means two things. One, you MUST be very good, and two, musically there\u2019s not much that could go wrong. It leaves one to conclude that it was made with tons of consistent enjoyment one moment in party mood and the next relaxed.<\/p>\n

For instance there is the butt shaking tracks \u201c Mi Novela\u201d, Doble Del Cuchillo\u201d and \u201c Mexicali\u201d, the R&B feel of \u201cHocicona\u201d or the delicious Tex-Mex stomper \u201c Abuela\u2019s Lament\u201d, then there\u2019s the aptly titled short instrumental \u201cKoombia Loco\u201d. \u201cCajun Waltz\u201d will immediately invite your better dance moves. Americana types will love \u201cDrinking for Two\u201d, \u201cIn a Georgia Rain\u201d and \u201cLa Casa De Mexicano\u201d which are more relaxed and an easy listen.
\nAll in all a killer record! A must have!
\nAvailable @ CD Baby\/ITunes<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Dutch Review ROOTSTIME.be By Francois Braeken<\/span>\r\n <\/div>\r\n
\r\n

TREMOLOCO
\n\u201cDulcinea\u201d
\n(Casa Julia Records) **** 4 stars<\/p>\n

The fans of bands like Los Lobos, The Blazers, Hacienda Brothers, Doug Sahm, and Flaco Jimenez have found in Tremoloco another band to hold close to their collective heart. Frontman Tony Zamora and his comrades are, where else, from Los Angelos and have but one goal, to blend Country, Mexican, Tex-Mex and Americana into a fun, listenable, danceable and heartfelt good time.
\nWith their debut album \u201cDulcinea\u201d they graduated \u201cCum Laude\u201d and with professors David Hidalgo, Greg Leisz, Johnny Lee Shell, Red Volkaert, Joel Gruzman, Cody Bryant, Stephen Bruton, Brantley Kearns, Ian McLagan and Cindy Cashdollar as such it would be difficult for them to be objective about the end result because they all had an interest in the outcome of the CD.<\/p>\n

Together with producer Cougar Estrada (Los Lobos) and \u201cThe Original Lowriders\u201d Harold Brown & Lee Oskar they belong to the extended circle of friends of singer\/songwriter\/guitarist\/ Tony Zamora and they all lent more than a hand at Ultra Tone Studio\u2019s.<\/p>\n

Despite the rivalry\/comparison between the named bands the result is undoubtedly pleasant.
\nSometimes busy but beautiful, moody and atmospheric instrumentals \u201cCowboy Lullaby\u201d, \u201cKoombia Loco\u201d and \u201cTremoloco\u201d work wonders. With Folky & alt.Country ballads, polkas, cumbias and two steps Tremoloco has, with respect for the classic recipes permitted itself some original and fun excursions.<\/p>\n

Opener \u201cMI Novela\u201d (Which would be a greater embarresment to a macho Latino male: Infidelity or sensitivity?) immediately sets the tone with it\u2019s first carefree, danceable steps. It\u2019s then taken over by a more serious subject that if you are a tee totaler you wouldn\u2019t understand..\u2026\u201dDrinking for Two\u201d has the tequila flowing like a river and I feel strongly that this song might soon be on The Hacienda Brothers playlist, this would indeed be \u201cSpek voor de Bek\u201d a Belgian expression meaning: \u201can exact fit\u201d being perfect for the duo of Chris Gaffney\/Dave Gonzales.<\/p>\n

Our Dutch friends of Rowwen Heze would undoubtedly go for the fun of \u201cAbuela\u2019s Lament\u201d and when Zamora and band bundle their powers and ask (Vicky Hill) to take care of the duet\/harmony vocals on \u201cIn a Georgia Rain\u201d the first \u201cFato Morgana\u201d star is in.
\nThe waltz \u201cLa Casa De Mexicano\u201d (+vocal by Willie G) and the lounger \u201cJust a little While\u201d that resembles Lester & Denwood\u2019s \u201c\u2019Sing Sing\u201d, a Belgian hit from the seventies takes care of number two.<\/p>\n

The rock\/roots are then pulled open in \u201cMexicali, and the pedal steel has a wonderful duel with the accordion in \u201cGoodbye Miss Lynn\u201d. \u201cCajun Waltz\u201d is where (Ann Cusack, vocals) makes her entrance then \u201cTremoloco\u201d and \u201cHocicona\u201d releases reggae vibes on us. Undoubtedly stars 3 and 4 are in!
\nWithout a doubt Tremoloco & guests are the best that LA and Austin have to offer us, but we do miss one person who needs to be and was thanked but who isn\u2019t part of the set (yet ) \u2026.Ra Ra Ra\u2026.Dave Alvin!
\n**** (SWA)<\/p>\n <\/div>\r\n \r\n

\r\n \r\n <\/i><\/span>\r\n <\/i><\/span>\r\n <\/span>\r\n Tremoloco - Dulcinea by Davide Albini<\/span>\r\n <\/div>\r\n
\r\n

[Casa Julia records 2008]
\n*** 1\/2<\/p>\n

Potrebbe anche essere il party record ideale per questo freddo inverno alle porte, sicuramente si tratta di un\u2019operazione discografica sulla carta assai interessante, vista la quantit\u00e0 incredibile di ottimi musicisti coinvolti. Potrei infatti riempire le righe che restano alla fine di questa recensione citando semplicemente la lunghissima lista di ospiti che hanno contribuito alla stesura finale di Dulcinea, esordio dei Tremoloco da Los Angeles, ma non sarebbe corretto nei confronti della stessa band che ha composto, arrangiato e prodotto in proprio i quattordici episodi. Allora mi limiter\u00f2 a segnalare qualche nome che non pu\u00f2 evidentemente passare inosservato: dalle chitarre di David Hidalgo alla steel di Greg Leisz, dall\u2019accordion di Joel Guzman al piano di Ian McLaglan, dalla lap steel e dobro di Cindy Cashdollar allo stesso ingegnere del suono Johnny Lee Schell, si tratta di una compagnia davvero invidiabile per i Tremoloco, i quali, \u00e8 presto detto, sono strumentisti e tecnici che hanno avuto tutti prima o poi a che fare con i personaggi citati poc\u2019anzi. Da qui svelato l\u2019arcano di una tale partecipazione, un parterre da fare invidia a chiunque, a disposizione di un disco indipendente eppure suonato con impeccabile gusto. Tirano le fila del gruppo Tony Zamora, voce, chitarre, basso e percussioni, e Cougar Estrada (gi\u00e0 con i Los Lobos), batteria e piano, arricchiti dalla presenza di altri cinque musicisti tra cui spiccano gli strumenti a corda di Sammy Sanchez e Billy Watts. Dulcinea \u00e8 esattamente quel \u201cpasticcio\u201d latin rock che ti aspetteresti da una simile riunione di musicisti: fra echi di tex mex, cumbie, rock\u2019n\u2019roll e persino ballate di impronta country roots si procede senza sbagliare una sola nota. Mi Novela introduce il ballo, \u00e8 proprio il caso di dirlo, con una cumbia degna dei \u201cLupi\u201d di Hidalgo, sgusciando poi verso il border sound di Drinkin\u2019 For Two. Non sono originali i Tremoloco, girano la ruota che altri hanno sfruttato prima di loro, ma la preparazione e la tecnica non possono essere disconosciute. Proprio i brani di maggiore impronta latina sono alla fine quelli pi\u00f9 coinvolgenti: impossibile restare fermi di fronte al tex mex trascinante di Abuela\u2019s Lament e Cajun Waltz, dove la presenza dell\u2019accordion \u00e8 centrale nella conduzione della melodia, cos\u00ec come la sciolta ballata La Casa Del Mexicano \u00e8 degna di Cesar Rosas e dei ricordi della Pistola Y El Corazon, grande opera di divulgazione dei Los Lobos qualche anno addietro. Hocicona \u00e8 persino pi\u00f9 coraggiosa, uno strano intruglio fra ritmi salsa e rock blues condotto da armonica e percussioni. Qualche punto in meno invece negli episodi pi\u00f9 \u201camericani\u201d, dal roots rock di Mexicali alla ballata Goodbye Miss Lynn, che affievoliscono un poco l\u2019impatto complessivo del disco. Fra tutte spicca soltanto In a Georgia Rain, ma mi pare chiaro a questo punto che i Tremoloco siano assai pi\u00f9 preparati e soprattutto coinvolgenti sul primo versante della loro anima musicale.<\/p>\n <\/div>\r\n <\/div>\r\n\r\n\r\n \r\n <\/div><\/p>\n

<\/p><\/div><\/div>

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